Pantone Home

by Wallace

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about

Pantone Home is my second collab with the incredible Danny Barwick. I fell in love instantly with the beautiful sampling of pianist Colin Hopkins, I'm not quite sure why but it made me think of home. I didn't find out till after I'd finished all the lyrics that Colin is an architect by day. Was meant to be.

Pantone Home is essentially a walk through the duck egg blue house I grew up in. I've clearly inherited my mum's obsession with colour, my folks home is literally a rainbow and I wouldn't have it any other way. I'm lucky enough to have been back to Wellington a lot more this year but I still miss it all the time so this one goes out to mum, dad and our little blue house on the hill. Everything in the song is 100% true. Our lounge is in fact painted the most bad ass mustardy/ limey yellow, we watch the telly a bright red art deco lounge suite, eat dinner on Crown Lynn plates in every pastel shade (one of the famous swans lives in our bathroom too) and try not to touch the exposed pink bates in the walls (sorry dad, I know you'll finish renovations one day).

lyrics

Mustard for the lounge
Cherry red in deco found
Crown Lynn to eat on
Every colour here to choose from
Every colour here to choose from

Pantone home
I'll leave the light on
All night long
Welcome to my
Pantone Home
I'll leave the light on
I'll leave the light on

Pink batts fills the frame
DIYs a waiting game
Scribbles in crayon
Every colour here to choose from
Every colour here to choose from

CHORUS

Aotearoa
Too much, too much
Too much blue between us

CHORUS

credits

released September 28, 2018
Written by Wallace + Produced by Danny Barwick

Mixed by Becki Whitton
Mastered by Steve Smart
Distributed by AWAL

license

all rights reserved

tags

about

Wallace Sydney, Australia

Future soul singer and songwriter Wallace Gollan’s musicality is as deep, complex, rapturous and compelling as the dark ocean that stretches across from her origins of Wellington, New Zealand to Sydney, Australia where Wallace now resides.

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